Literary analysis of the novel everyday use by alice walker
Everyday use by alice walker conclusion
Is Dee's clothing choice a rejection of her past or is there something more to it? But unlike Maggie, who uses the butter churn to make butter, Dee wants to treat them like antiques or artwork. This illustrates another central theme in the story: standing up for the right thing no matter the consequences. Dee Dee gets a bad rap from the beginning. Unlike Dee, Maggie will be the one to inherit that position from Mama. Maggie does not want to get in the way of her sister and when Dee wants the quilt, Maggie tells Mama just to let her have it. It is crucial that in this fantasy, Mama imagines herself as lighter - in skin tone, body weight and wit. Since it had taken years before coming home, she embraced the new lingo and style that was demonstrated by the modernized black women then. During that time, most Blacks were not at ease with the Black Power movement solution. Analyses can appear objective, detailed and technical, even requiring computer assistance, but some caution is needed. At the same time, however, those who abandoned the traditional black culture are still trying to hold on it. Trondheim Cathedral School.
Family reunions can be times of great anticipation, excitement and happiness but for Dee, a young, beautiful, African American and our leading character, it was a reunion with underlying, unspoken tensions.
Gender Matters: Frminist Linguistic Analysis.
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Then both Dee and Hakim-a-barber climb into their car and disappear in a cloud of dust as quickly as they arrived. However, Dee is incredibly judgmental and naive about Mama and Maggie's lives. Since then, many of the quilts have traveled all around the world, being hailed as art and history. It is impossible for conscious Afro-Americans to preserve their innocence from education and modern life demands, yet it does not mean the necessity to be ashamed of or reject their past as slaves and inferiors. In fact, there were a lot of small sinks; you could see where thumbs and fingers had sunk into the wood. As the mother narrates the story, she refers to Dee as Wangero. Continue Reading. New York, New York: W. Source Quilts as Art The central argument Dee makes is that the quilt in question is art and history and should not be used for everyday use. But it seems that Mama is not quite ready to forgive her and so the quilt goes to Maggie and will likely be torn, stained and well-used.
In particular the elements of symbols, characterization, and point of view in this story are significant. See results References Walker, Alice.

Mama insists that the quilts will go to Maggie who will use them after she gets married. Although history and heritage are important, the driving factors of this story are the literary elements. They achieve this by having cultural artifacts, antiques, as well as souvenirs.
The way Dee handles herself is enough to shed more light on her perception about culture and heritage. Dee suddenly becomes fixated on some quilts that were put together by Grandma Dee, Big Dee, and Mama - despite earlier rejecting them as disgustingly quaint signifiers of her rural youth.
Everyday use by alice walker summary
While Mama has no time for pretense, she does offer a more balanced and complex insight into the struggle represented by the girls' behavior. On the other hand, the rural south is slow and they esteem the importance of the family and culture. In particular the elements of symbols, characterization, and point of view in this story are significant. The narrator describes the dasher as follows: "You didn't even have to look close to see where hands pushing the dasher up and down to make butter had left a kind of sink in the wood. History and heritage play a key role in the development and conclusion of this rather intriguing story. Walker uniquely presents this scenario in the short story, which is about African-American identity crisis and the place of their culture and values in the modern society. Mama can see right and wrong in both children, and in both points of view. When Dee goes to college she can barely wait to shake the dust off her feet from her poor, Georgia community. The peak of the story comes when Dee demands the quilts from her mother. She also understood that Wangero simply wanted the family belongings so as to keep up with the new African fashion. Mama recalls the fire that burned their first house down.
Maggie lurks in the shadows not wanting to be fully visible. Dee, the older daughter, represents a misconception of heritage as material while to Maggie heritage is both knowledge and form which is passed down from one generation to another through learning and experiences
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