Eine kleine nachtmusik 1st movement mozart
Eine kleine nachtmusik analysis
Performed by the Advent Chamber Orchestra Problems playing this file? To an eighteenth-century audience, the key would have lent a sense of occasion to the work, and it provides a fitting and fashionable finish to this concert. In terms of character, this slow movement is more imperial than sentimental. The Symphony No. The recapitulation's first theme is unusual because only its last two bars return in the parallel minor. The second theme is more graceful and in D major , the dominant key of G major. The fourth and last movement is in lively tempo , marked Allegro; the key is again G major. In this more intimate movement, the tone color of the bassoon foreshadows some of the mournful arias Mozart would eventually write for Viennese opera houses.The piece turns on a series of memorable tunes that have come to define our appreciation of Mozart. The reduced scale of the chamber ensemble would have worked just as well in the era of economy under Colloredo.
Written in the same key as the symphony and in the same city, the Bassoon Concerto in B-flat Major was likely intended for one of the two bassoonists employed by Colloredo. Rondo: Allegro Composed Menuetto: Allegretto[ edit ] The third movement, marked Allegrettois a minuet and trioboth in 3 4 time.
Unsuccessful, they returned in September, and Mozart entered his final flurry of compositional activity in Salzburg. The second theme is a stark contrast, with its sparse orchestration of the melody in widely-spaced octaves in the violins and the accompaniment in octaves between the viola and bass.
Eine kleine nachtmusik movement 1 sheet music
The middle appearance of A is truncated, consisting of only the first half of the theme. The Andantino grazioso offers something of a palate cleanser with the gentility of muted violins and flutes and a polite, predictable rondo form. Like many of the other Salzburg symphonies and most desserts it is gone too soon, composed of just three short movements. Finally, the Allegro whips and whirls the symphony to its finish, the symphonic equivalent of Schlagobers whipped cream. The first theme is a balance between the clarion fanfare led by the oboes and French horns and the irrepressible response from the violins. The minuet is in the home key of G major, the contrasting trio in the dominant key of D major. Unsuccessful, they returned in September, and Mozart entered his final flurry of compositional activity in Salzburg.We might even hear a note of pathos in the second movement romance. Although composed in Vienna, Eine kleine Nachtmusik recalls the several serenades Mozart wrote while in Salzburg.
The Allegro moderato is, indeed, moderate—the balanced melody of the first theme is backed by clear, exposed part writing rather than the energetic rhythms of other galant accompaniments. The first theme II. In this more intimate movement, the tone color of the bassoon foreshadows some of the mournful arias Mozart would eventually write for Viennese opera houses.
This first movement is in sonata-allegro form.
In this earliest of the woodwind concertos Mozart wrote—each a treasured part of the repertoire—we can hear already his instinct for the special capabilities and character of a given solo instrument.