Aristotle defined drama by writing a book called
On the contrary, it provides complete justification for many of his favorite films. Cooper, Lane, trans.
Aristotle poetics sparknotes
Aristotle on Poetry and Style. Egri, Lajos. Good popular films are art forms like odes, sonnets, or fugues: they have specific formal requirements. Above we concluded that the story purpose of Oedipus the King was Oedipus's quest for the killer of the king. Aristotle's Poetics doesn't state so. Pope, Thomas. Halliwell, Stephen, trans.However, he realized after the murder that he could be neither happy nor content. Fate being selected by Apollo Creed as an opponent allows Rocky the chance to regain his self-respect by working hard and taking on a seemingly impossible task going the distance against the world champ.
The Syriac-language source used for the Arabic translations departed widely in vocabulary from the original Poetics and it initiated a misinterpretation of Aristotelian thought that continued through the Middle Ages. For a discussion on the subject, see pp.
Any kind of poetry, actually any art, is a form of imitation - what sets the art forms apart is merely with what means the imitations are made.
The reality of presentation is felt in the play as read, as well as in the play as acted. The end being the greatest of all things, tragedy with its superior ending must be the superior form of imitation.
For the same reason, tragic events should not take place between two enemies, but rather between friends or relatives, like when a brother kills a brother, or a son his mother, or intends to do it - "such subjects are to be sought for. They differ in three points; they imitate a different objects, b by different means, c differently i.
Epos-making, tragedy-making also comedydithyramb-making and most fluting and harpingtaken as a whole, are really not Makings but Imitations. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies.
It is by virtue of adherence to a formulaic set of artistic criteria and the judicious use of conventionally defined narrative elements that all films, American and others, achieve their success.